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This week’s Sunday Hustle is a bit on the short and sassy side, because I moved and I am EXHAUSTED. Again. For the fourth time this year. My ability to cram as much stuff into a shoe-box sized room is unsurpassed. Even by body contortionists. Enjoy!

60 % of women want to make out with other women. TRUE FAX YA’LL. (Autostraddle)

Go find a straight girl to make out with but don’t get emotionally involved. Maybe you can help her discover her latent bisexuality or homosexuality or otherwise queeriosity, and then she can come fight about labels on the internet.  Is queeriosity a word? It should be.

Image: Steven Greenstreet

The hot chicks of Wall Street – is this dude wrong for his focus on the women of wall street? Steven Greenstreet sat down to make a video about Occupy Wallstreet, and discovered that a lot of the protesters were well, kind of good looking. So he made a video about the more aesthetically pleasing rabble-rousers. And what a hooter-nanny this has been! This has caused quite a shit storm amongst cyber feminists, who believe it’s objectification of women, and more importantly, bypassing the point of the protests all together. Personally, I find the video tasteful. It puts a 21st Century face to a group of activists who often mistaken to be “a bunch of hippies, communists, anarchists and other assorted misfits “. Interestingly enough, it’s drawn almost equal win/fail ratings on Buzzfeed. (Autostraddle)

And in response, Jess over at XOJane writes about choice and feminism. One of the girls who was filmed for the video has come forth and says she doesn’t mind being labelled as hot.  This article is kind of post-structuralist-y, and definitely not for the TL;DR crowd! (XoJane.com)

Until the woman who doesn’t want to be seen as sexually available can go out with certainty that she won’t be harassed or ogled, your choice to turn heads and revel in attention is a privileged one. Until the woman who doesn’t prioritize appearance gets taken just as seriously in just the same contexts, it’s a privileged choice to achieve certain standards of beauty. You may be doing what you love, but you’re also doing what you’re told.

Should you date your friends? I don’t think I’ve ever done this so I can’t relate. (Lesbilicious)

Rooney Mara, where have you been my whole life? These new images from US Vogue have leaked onto the net with the Girl With the Dragon Tattoo star channeling elegant androgyny like a boss. (Popsugar)

Source: Popsugar.com

Source: Stylexicon.com

Handbags or back packs? Form or function? The Guardian pits a fashion writer and feminist against one another to argue their case for form, craftmanship and status, or practicality, conservatism and commodity fetish. Both are very interesting and valid arguments. (The Guardian)

Laurie Penny:… I remember talking to my sister when I was little and we decided there must be a conspiracy between people who make handbags and people who make clothes for women, whereby the clothes-makers agreed not to put pockets on anything so you’d have to buy a handbag. Clothes are incredibly powerful statements of who you are, particularly as a woman, and handbags are seen as almost totemic of womanhood. The idea of the It bag is the epitome of the commodity fetish.

Justine Picardi: If you buy a handmade bag, whether it’s a vintage Chanel from the 1950s or a new one, those bags are made by people who are treated incredibly well, earn good salaries, work in ateliers in France and Italy, and are proud of their craft. It’s the antithesis of a bag mass-produced in a factory and then sold in vast numbers. I’m not saying people should buy designer handbags, but we should be aware of the cost of mass-market bags.

Masturbation is an epic form of self love. So much so, that it means you’re gay. Gulp. (Feministe)


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Hi Camilla! I’m a 19 year old Professional Communication student hoping to specialise in Journalism and PR. I’m highly impressed with the number of internships you’ve managed to secure under your belt, so I guess I’m just wondering if you’d be able to give me any advice to follow in your footsteps? I have a blog (it’s currently not working at the moment so I won’t link it to you just yet) which I use frequently. I’m really interested in politics, current affairs, arts and culture, foreign languages in general, I really love writing. Thanks for your time!
Nancy.

Thanks so much for your question Nancy!

I figured I’d answer this question in a post, as it’s a question I get a lot, and I know a lot of people who visit Girls Are Made From Pepsi are journalism/media students. I’m mainly going to focus on publications though, as that’s where I’ve completed the majority of my internships. You might find this method also works for broadcast media too though.

When you’re studying to work in media, there are two things for certain. Firstly, you will be exposed to Media Watch. You will tune in every Monday night and feel incredibly smug whilst doing so. You will then return to your daily life, and eye people with mocking scorn as they browse through certain low-brow publications, blissfully unaware of the ways they are being manipulated by media scum. You are oh so wise, oh blessed journalism student.

2. You HAVE to do internships. Yes, plural. Notice how I say internships and not internship. That’s because ideally, you should do more than one.

Now, a lot of media courses will make it mandatory to complete at least one internship, which is great! My first journalism course at Macleay College in Sydney (which I highly recommend for those wanting hands on experience) required us to complete two. I think I did 4 (nerdburger!). But I had a rollicking time whilst doing so and now my resume is pimpin’. Ya dig?

Spending just one week photocopying paper work or creating scrap books of inspiration or accompanying a journalist on their particular beat just isn’t going to cut the mustard, girlfriend. Sure, it gets you in the workplace and it certainly adds a little somethin’ somethin’ to your resume, but if you want to acquire some actual skills and really set yourself apart from the rest of the pack, you need to do several internships.

Now don’t freak out. I realise you just want ONE! And one may be hard enough to get as it is. The idea of working for free might not sound too appealing, but you need to keep in mind that as a student you need to acquire skills, and the only way to do this is through hands on experience. Luckily for you, I have the art of intern proposing down pat and I’m going to share my secrets with you.

  1. Find a publication you want to work for. Make sure it’s a publication you actually respect. This will make writing to the publication a lot more easier because you’ll appear more genuine, and should you win the editor over with your flourishing praise, it’ll make interning a lot more fun because you’ll actually want to be there. I’ve made the mistake of interning for publications I didn’t really love all that much, and trust me, it shows when you disappear to the bathroom every five minutes.
  2. The best thing to do is to start off small. You’ve probably got your sights set on joining the Park Street pack, or trawling the hipster dwellings of New York with your new Nylon buddies, or fetching unpublished manuscripts for Ms. Anna Wintour herself.  If you’re in your first year and haven’t done any internships, you might not get placed at the nation’s top publications to begin with. That is, unless you know someone. And if you have contacts, by Joe, make sure you’re lending out free iPods left, right and centre!  But if you don’t know anyone in the industry, that’s ok! There are honestly a lot of other cool publications out there that are relatively small, but looooooove taking on interns. This is usually because as a small publication they might not have the same resources as larger publications, so it’s a win-win situation for all. They get an extra person helping out, and you get to have a kick-ass time being a serious journalist! Can you say Extra! Extra!?
  3. Make up a list of milestones. Just grab a pen and paper. Or make up an excel spread sheet, and create goals for yourself. Mine usually go something like this:
    • 1st October : Email editor of [your magazine here]
    • 5th October: Follow up email
    •  10th October: Follow up with phone call
    •  30th October: Try another publication

4. Go for gold. Just do it. Email them. Find who it is that handles intern programs, and drop them a line. Depending on how large the publication is, it could be a number of a people: the editor, the PA, the editorial coordinator, HR department. Checking the website usually brings some good leads as to whom you should be contacting.

5. When you’re crafting up your letter to intern success, be sweet. Be honest. And most of all, focus on how YOU can help THEM.  If you send someone an email saying what you want, they will probably forward your email around the office and everyone will make fun of you. Just kidding! However, it won’t pack as much as a punch if you tell them how much you love their magazine. So go on, don your digital eyelashes and get a-fluttering, girlfriend. Tell them your favourite issue so far, tell them what regular columns you love, tell them you wish they’d update their blog more and that you’re just DYING for the next issue. But also make sure you mean these things.

6. Be relentless. Do not give up so easily. Editors (or whomever handles work experience) get a shit load of emails, and sometimes they might see your email, intend to get back to you, but forget because fashion week is on or something. So what’s an undergrad to do? You email them again. Just a gentle reminder saying something along the lines of “Hi, Just wondering if you received my email regarding internships. I’m super keen to come in and help you guys out in any way I can. Looking forward to hearing back from you!” Sometimes, this might involve even (ugh!) calling them. I’ve done this in the past, and it’s landed me internships. Here’s what you do:

  • Find their number (who do you want to talk to? The editor? The deputy editor?). This will usually be on the website.
  • Write up a little script of what you intend to say should they (gulp) actually be in the office or, should they be in a meeting.
  • If they’re unable to talk, politely inform them you’ll call back. YOU call THEM. Sometimes, they might ask for you to leave a message. 9 times out of 10, they will not return your call.
  • If they can talk, mention your email, then restate what you’re written in said email. Calling shows persistence, guts and dedication. You’re setting yourself apart from the pack. You go Glen Coco!

And lastly, just a few pointers for when you actually score the gig:

  1. Should you be asked to perform menial tasks such as fetching lunch, photocopying, banking, decorating the bathroom (oh yes, I’ve been there), it’s best to grin and bare it. You will inevitably have to do jobs you don’t like, but you’ll be rewarded with more fun, fulfilling tasks as well. For example, I’ve had to pack 100s of gift bags for book launches, but I also got to attend said book launches. Think Hugo’s Lounge in Kings Cross, with dozens of talented, super important people, free cosmopolitans, a photo in the Sun Herald, and a goody bag to boot. Own horn = tooted!
  2. If possible, arrange to come in 1 or 2 days a week for a few months, rather than doing 1 week straight. You’ll be more exposed to the up-and-down publications process. Sometimes, some weeks are very quiet, and it’s not fun to land work experience on those weeks. You’ll also build up more of a relationships with those you’re working with.
  3. Remember to keep in contact with those you work for. They can prove to be invaluable references and mentors.

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For your reading pleasure!

Autostraddle dishes out some sage wisdom for shy young lesbians. The key to a girl’s heart may or may not be with donuts, but sitting like a hot toaster waiting to pop does not a hustler make.

If you don’t feel your heart beating in your fingertips, if your voice isn’t shaking, if you’re able to have coherent thoughts, then you don’t understand the importance of what you’re doing. This is a big deal. When you approach someone as more than friends, you’re making yourself defenseless in a way that, quite frankly, isn’t fair. Whenever you ask someone out, you’re knowingly giving them the chance to stomp on your heart on the off chance that they want to make out with your face as much as you want to make out with theirs.

Jump on in love-lorn battalions!! The water’s fine!

Photo via weheartit.com

Fancy some heavier reading? Here’s some food for thought from Oxford University Press. Author Christopher Reed is promoting his new book Homosexuality in Art: A History of Ideas. He talks about why homosexuality is more accepted in mainstream cinema and literature and not in the visual arts, and also how sexuality really isn’t all that personal when it’s such a large part of our culture. (OUP Blog)

My new favourite website Autostraddle (how did this fly under my radar for so long?!) is also talking about homosexuality and art. This article’s in relation to activism, and not just the gung-ho rah-rah kind of political demonstration. (Autostraddle)

Studies have shown that “knowing” gay fictional characters is similar to knowing a gay person when it comes to affecting attitudes toward LGBT people and issues. Artists with a wide audience, such as the people behind popular TV shows, movies and books, have a unique opportunity to reach people who would not otherwise seek out LGBT media and perspectives. A lot of these people would never watch explicitly-gay shows like Queer As Folk or The L Word — but as we make more and more inroads to otherwise-straight shows, like Pretty Little Liars or Glee, it becomes harder and harder for homophobes to avoid queer people on TV. And harder and harder for them to avoid empathizing with us.

via Tumblr

The Hairpin features an article on Canada’s long-termlove affair with our patron saint of bad-ass Alanis Morisette.  IT’S LIKE RAAAAAIIIIIIN ON YOUR WEDDING DAAAAAAAAAAAAAAAYYYYYY….. (The Hairpin)

Photo via theexpressionist.com

Don’t feel like reading the whole of American Cosmo? Lilith and Jezebel over at Evil Slutopia have summarised it for your convenience! (Evil Slutopia)

Rachel Rabbit White discusses the fashion question for feminists and queers. Do you ever wonder who you’re dressing for? Maybe for other girls in order to be accepted? Or maybe to attract male attention? Perhaps you feel the pangs of feminist guilt (thank YOU, Naomi Wolf!) when you do dress up? Or maybe you feel conflicted about what to wear when you’re attracting the same sex? We’ve all been there – whether you’re a feminist or a queer. Girl culture demands that we be our best selves physically, but like, not TOO pretty, because that’s just threatening. Feminism and queer culture asks that we subvert traditional gender stereotypes. Is your head exploding yet? How does one attain this level of unthreatening sexiness? And how does one look like they like girls, but not too much like a boy because obviously that’s counterproductive? Wear heels and you might encounter a ‘more feminist than thou’ attitude, or wear heels and people will assume you’re straight. Is their freedom in choosing what you want to wear? (Rabbit Write)

Time for sweet androgyny!

Maranda Elizabeth on the unclear boundaries of consent. Because, sometimes no means no, and sometimes, yes means no also. Confusing? Communication is so much more than affirmative answers. What about body language? Tone of voice? (Maranda Elizabeth)

In the workshop I wrote about in my last entry, when we broke into smaller groups and discussed our wants and needs, practicing how to ask for them, and how to say/accept no as an answer, one of the folks in our group said that they needed clear and direct communication, and for folks they’re involved with to make their boundaries known. It sounds simple, right? But myself and another person in the group both admitted that we have difficulty clarifying our boundaries for others, and that we were both dealing with our own issues surrounding assertiveness and communication, so we couldn’t promise that we could always be clear and direct.

The NY Times has a really great article on the problematic ‘strong female lead’. Whilst the title wreaks of anti-feminist sentiments (women cannot handle their own awesomeness! Shall we sew instead?) the article is definitely worth your Sunday reading. Just to clarify, in this context ‘strong female lead’ does not mean a well written and developed character. Thank you NY Times for this handy definition: “alpha professionals whose laserlike focus on career advancement has turned them into grim, celibate automatons; robotic, lone-wolf, ascetic action heroines whose monomaniacal devotion to their crime-fighting makes them lean and cranky and very impatient; murderous 20-something comic-book salesgirls who dream of one day sidekicking for a superhero; avenging brides; poker-faced assassins; and gloomy ninjas with commitment issues.” This kind of woman, the NY Times argues, develops an inferiority complex.

Of course, I get the point of characters like these. They do serve as a kind of gateway drug to slightly more realistic — or at least representational — representations of women. On the other hand, they also reinforce the unspoken idea that in order for a female character to be worth identifying with, she should really try to rein in the gross girly stuff. This implies that unless a female character is “strong,” she is not interesting or worth identifying with.

This reminds me of a conversation I had with Mia Freedman once (I HAVE ALWAYS WANTED TO SAY THAT) where she mentioned how important it was for women to share their bad lists. To be declare their strengths certainly, but also to own up to their weaknesses as a form of empowerment. Is strength always a virtue? (NY Times)

On a similar note, I am finally off to go see Harry Potter – finally! Team Hermione!

Happy Sunday!

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Photography by Penny Lane, Beauty by Marie Princi, Model: Zoe @ Scene, Styling by Emma Bergmeier

Perth-based stylist and blogger Emma Bergmeier captures the understated beauty of Western Australian fashion and photography. Her blog Dropstitch is a visual treat for those with a giddy obsession for all things deliciously feminine, floral and dreamy. Think of it as a decadent cream bun with smatterings of lush Characterised by a distinctly Australian lilt, Dropstitch is a celebration of emerging talent, of which Emma is surely a part. I chose her as Lady of the Week, and this is the mini interview I did with her.

What do you love most about Perth fashion?

I love that Perth fashion is playful. Designers such as Jaime Lee,
Antipodium and Poppy Lissiman exemplify this with their amazing
collections, constantly pushing boundaries and encouraging us to have
fun with what we wear. The fashion scene here is also incredibly
welcoming - it's not so much competitive as it is supportive. There's
a great community of creative people living here.

What do you do as your day job?

I have two day jobs - by day I'm the Arts & Fashion Editor of
X-Press Magazine and by night I'm the Creative Director of All Of The
Above, an agency that represents photographers, stylists, hair and
makeup artists based in Perth.

When did you start Dropstitch?

I started Dropstitch about four years ago I think... although it
could be longer - feels like I've been blogging forever! In the
however-many-years-its-been since I started blogging the focus of
Dropstitch has changed a lot to reflect what I'm doing in life. It's
gone from being a street fashion photography site to being more of a
personal blog about my life as a stylist.

What are you most passionate about?

I'm most passionate about supporting the industry which has
supported me. The WA fashion industry is undergoing a renaissance of
sorts - people are finally starting to stay in Perth rather than
moving over east, which is what most talented folk from here have been
doing in recent history. As a result, there are more designers,
photographers, stylists, boutiques etc than ever before.

 

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